Danilo Pérez was born in Panama in 1966. He is considered one of the finest contemporary pianists and jazz composers of our era.Danilo started his musical training at 3 years old with his father Danilo Sr, a professional bandleader and singer, gave Danilo Jr. his first set of bongos. By the time he was 10 years of age he was studying the European Classical Piano repertoire at the National Conservatory in Panama, eventually transferring to the Berklee College of Music to study Jazz composition and then serving as a professor at the New England Conservatory of Music. While growing up in Panama, Perez was notably influenced by the works of Gershwin, Duke Ellington, John Coltrane, and his mentor in spirit Thelonious Monk.
When Danilo Perez moved to the United States his prominence increased immensely. He played with jazz legends who played a key role in shaping Perez's technique and style. Between 1985 and 1988, while being a student at Berklee, Perez played with Jon Hendricks, Terence Blanchard, Claudio Roditi and Paquito D'Rivera. He also was part of the Grammy winning album, Danzon. Wynton Marsalis asked Perez to tour Poland with his band in 1995; Danilo Perez was the first Latin artist to perform with Marsalis. For the 1996 Summer Olympics in Atlanta, Perez and Marsalis played together again. He performed as a special guest at President Clinton's Inaugural Ball, and played the piano on the Bill Cosby theme song.
Perez has also played with Dizzy Gillespie, Jack DeJohnette, Charlie Haden, Michael Brecker, Joe Lovano, Tito Puente, Roy Haynes, Gary Burton, Wayne Shorter, John Patitucci and many others. Conceivably Perez biggest influence in terms of style and thought was Dizzy Gillespie. Perez had the opportunity to perform with Gillespie and his United Nations Orchestra from 1989 until the band leader’s death in 1992. Danilo assimilated the be-bop and post-bop styles. He was also a member of the Grammy winning record Live At The Royal Festival. Other influential studies that Perez has achieved have been his album for Impulse! records, PanaMonk, which is a study of and tribute to Thelonious Monk.
In 1994, Perez recorded his most personal album, The Journey, a musical account of the torturous trip African slaves made across the oceans in the hulls of the slave ships. It also allowed Perez to become a recognizable name in the jazz community and featured renowned saxophonist David Sanchez and percussionist Giovani Hildalgo.Perez fourth album, Central Avenue, earned in 1998 the Grammy nomination for best Jazz Album of the Year. Perez arranged the ensemble of bassists John Pattutucci and Avishai Cohen, and drummer Jeff "Tain" Watts, Panamanian folk singer Raul Vital and his chorus of mejorana singers.
In 2000, Danilo joined Wayne Shorter, to form Shorter's great quartet with John Patitucci and Brian Blade. Perez has played concerts with the group extensively since then, and appears on all three of the recordings Shorter has made during this period: Footprints Live!, Alegria and Beyond The Sound Barrier. Perez's debut release for Mack Avenue Records Providencia was released in August 2010 and features Ben Street on bass, Adam Cruz on drums, Jamey Haddad on percussion, Ernesto Diaz on congas, Rudresh Mahanthappa on alto saxophone and several more great global jazz musicians.
A resident of Boston, Danilo Perez currently heads the Berklee Global Jazz Institute and recently co-founded Junglewood, an artistic community in the Panamanian rain forest designed to encourage eco-consciousness.
YOU ARE THERE Hilary Kole
Hilary Kole attracted major media attention with the release of her debut CD, Haunted Heart in 2008 and has been a major figure on the New York jazz and vocal scene even before she co-created and co-starred in the ground-breaking revue OUR SINATRA 10 years ago. The heiress to a richly musical family (her father sang the lead in WEST SIDE STORY on Broadway), Ms. Kole studied classical music composition, piano, and eventually voice, at the Manhattan School of Music, but learned much of her craft as a singer of jazz and standards at the Rainbow Room. “For a year and a half I was literally the last big band vocalist in New York,” she says. In addition to her frequent performances at Birdland, she has also headlined at other New York clubs, including the Jazz Standard and the Iridium, and she has played major clubs around the country as well as festivals around the world. She will be appearing at Birdland, the Mount Gretna Music Festival, Blues Alley and Schullers Jazz Club throughout the month of August.
Ms. Kole is a Justin Time recording artist and has recently released her second album for the label titled YOU ARE THERE. The Manhattan School of Music alumnus sings songs from the Great American Songbook accompanied by such legendary pianists as Hank Jones, Dave Brubeck, Michel Legrand, Kenny Barron, Cedar Walton, Monty Alexander, and Freddy Cole. Steve Kuhn, Alan Broadbent, Benny Green and Mike Renzi also make the program worth its weight in gold. The duets are intimate and lend an air of serenity and solace to the listener because of Hilary Kole’s beautiful voice. Her interpretations of songs such as, “How Do You Keep The Music Playing” with Michel Legrand, “Lush Life” with Kenny Barron are memorable. However the duets with Hank Jones (“If I Had You” and “But Beautiful”) are especially touching given the master pianist passed always just months before the release of the CD.Hilary Kole and Freddy Cole combine their artistic insights on “It’s Always You,” while the great Dave Brubeck plays his original composition “Strange Meadowlark” with taste and beauty. Overall, the duets bring a sense of compatibility on several levels – musically, spiritually. Listen to YOU ARE THERE, and then buy it from the SOTJ store. To learn more about Hilary Kole, please visit her website at www.hilarykole.com.
Herbie Hancock
THE IMAGINE PROJECT Herbie Hancock
2010 brings the release of Herbie Hancock’s newest recording titled THE IMAGINE PROJECT. The CD is an unprecedented international recording and video project featuring collaborations between Hancock and over a dozen superstars from every corner of the planet.Seal, Pink, Chaka Khan, Wayne Shorter, John Legend, Marcus Miller, India.Arie, Jeff Beck, Dave Matthews, Derek Trucks and Susan Tedeschi are just a few of the great musicians featured on the project. The album is produced and arranged by Herbie Hancock and Larry Klein with selective tracks produced by Marcus Miller, Juanes, Derek Trucks, and John Alagia. CLICK HERE TO>>> BUY THE IMAGINE PROJECT.
Providencia
Danilo Perez
Danilo Perez’s highly anticipated debut for Mack Avenue Records is absolutely stunning. Providencia crosses streams of jazz, classical and Latin American folk music on 11 great compositions that spark the listener to connect with the creativity and social power of Perez’s musical conscience. In addition to his core trio-mates bassist Ben Street and drummer Adam Cruz, the award-winning pianist/composer is accompanied by such respected musicians as saxophonist Rudresh Mahanthappa, percussionist Jamey Haddad, conguero Ernesto Diaz, vocalist Sara Serpa and a Boston-based woodwind quintet. The set opens with “Daniela’s Chronicles,” which pays homage to Perez’s young daughter. The beauty and love inherent in this piece is deeply moving and suggests Perez’s commitment to musically depict her personality. By contrast, “Galactic Panama” is teeming with excitement as Mahanthappa’s intense saxophonics and Perez’s percussive pianism alongside Street and Cruz’s rhythmic forms gleaned from the tamborito (Panama’s national dance) incite you to submerge yourself into the dynamic feelings of this great song. Perez continues his tribute to his homeland and the concept of global jazz by including a two-part chamber piece for woodwind quintet titled “Bridge of Life” and two tragic love compositions by Panamanian composers Carlo Eleta Almaran (“Historia de un Amor”) and Avelino Munoz’s lovely ballad (“Irremediablemente Solo”). A two-part composition titled "The Maze” concludes the set. The duet between Perez and Mahanthappa features their muscular and jagged playing on “The Maze: The Beginning” and their tender and reflect feelings on “The Maze: The End.” It’s been a long time coming but Providencia is definitely worth the wait. Danilo Perez is a genius and you’d be wise to add this masterwork to your music collection today.
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DEJA VU George Duke
George Duke has done it again and for that very reason, the title DÉJÀ VU is what his second release for Heads Up International is all about. This time he’s offering his listeners a wonderful array of original songs that reflect his amazing skills as a performer, composer and producer who can bring together such exceptional talents as Everett Harp, Hubert Laws, Paul Jackson, Jr., Lynne Fiddmont and Nicholas Payton. DÉJÀ VU includes several tracks that feature Duke’s classic synthesizer sound that characterized many of his most popular recordings in the 70s. His everlasting synthesizer skills show up dressed to the nines and ready to please on such songs as “A Melody,” which also features Paul Jackson, Jr. on guitar and Lynne Fiddmont on vocals. “What Goes Around Comes Around” which features Everett Harp on soprano saxophone, shows off Duke’s ability to make his synth speak to you in a language you’re sure to enjoy. Check out his solo and you’ll definitely reset your musical desires in a new direction. George Duke not only plays an assortment of instruments on DÉJÀ VU, but he sings on “Bring Me Joy,” a love ballad that goes straight to the heart with its lovely melody and charm. “Ripple In Time, (for Miles)” is definitely a song that you’ll remember for a long time. It’s great sound brings Miles Davis’ electric period immediately to mind and with Duke on the Motif ES9 and various other synths, this song is a hit waiting to happen. DÉJÀ VU will exceed and defy all of your expectations. It’s smooth, its’ funky, it’s jazzy, it’s absolutely great. So check it out and then buy DÉJÀ VU from the SOTJ store.
A Handful of Stars
Adam Schroeder
A HAND FULL OF STARS features baritone saxophonist Adam Schroeder performing with Jeff Hamilton, John Clayton and Graham Dechter on 11 songs – some originals and others culled from the Great American Songbook catalogues. Such gems as Cole Porter’s “I Happen To Be In Love,” and the Duke Ellington/Billy Strayhorn tune “Just A Sittin’ & A Rockin” get a new sound compliments of Schroeder’s dusky bari that lends a sort of melancholy mood to the melody. Neal Hefti’s ballad “Pensive Miss” isplayed lovingly and features the subtle interplay of Schroeder and Dechter’s musicality. Dechter’s guitar solo is ever so serene and reveals the intimacy associated with the composer’s intent. Quincy Jones’ rarely heard “Jessica’s Birthday” is a real treat and has Dechter swinging to a great beat. “I Happen To Be In Love,” is definitely worth a second and third listen especially since this sensitive song was written for Porter’s wife Linda. The quartet brings their own brand of sensitivity to this lovely song. Schroeder penned a couple of new songs including “Midwest Mash,” a boogaloo based jam and “Hidden Within” a ballad that tugs at your heart strings. Overall, Adam Schroeder’s recording debut as a leader, signals the arrival of a great talent who can hold his own. Check it out. Click on the image to buy the CD.
Ragabop Trio
Ragabop Trio
Drummer Steve Smith, saxophonist George Brooks and guitarist Prasanna are the Ragabop Trio. Their self-titled debut recording for Abstract Logix is comprised of original songs written by its members who express their visions with a focus on groove, atmosphere and harmonic adventures. With jazz as their foundation, the highly talented trio moves through 9 great tracks with prolific and diverse rhythms, riffs and melodies. The set opens with Prasanna’s up-tempo jazz-inspired composition titled “Tug of War.” The song defines the sound of the Raga Bop Trio with its unifying East/West blend. Prasanna’s Carnatic semi-tone slides (a feat in itself considering the ancient form is rarely played on electric guitar), George Brooks’ bluesy alto saxophone, and Smith’s approach to his drum set makes this song a real keeper. “Miss Oma” and “Love and Hunger” were written by Brooks with the former being a nod to jazz calypso, as well as to the African and Indian cultures found on the island of Trinidad. The Euro-jazz and pattern-based modal improvisations heard on “Love and Hunger,” are a testament to Brooks’ rich alto tones and Prasanna’s dynamic accompaniment skills. Smith’s amazing talents are boldly stated on “Ironically,” where his drum solo is doubled using konnakol (south Indian rhythmic vocal syllables) while on “The Geometry of Rap,” Smith uses konnakol over a funk groove with Brooks and Prasanna providing melodic and atmospheric comping. The first collaboration of these multi-talented musical titans is a brilliant demonstration of their creative processes and expertise in north Indian Hindustani music, south Indian Carnatic music, and the U.S.A. jazz/groove concepts. Ragabop Trio is highly recommended.
CEREMONY Omar Sosa & NDRBigband Omar Sosa’s first big band collaboration is with Hamburg’s 18-piece NDR Bigband and if you have yet to experience the dynamic musicality of the great pianist, then you’re in for a real treat. Sosa, who also plays mirimba and his quartet- Julio Barreto on drums, Childo Tomas on electric bass, and Marcos Ilukan on Afro-Cuban percussion - are under the director of composer/arranger/ cellist Jaques Morelenbaum who arranged selections from Spirit of the Roots, Bembon and Afreecanos. Two new Sosa originals are sacramental venerations to Elegba, the divine messenger and guardian spirit, the all-powerful medium and diviner of human fate. They are documented in “Llegada Con Elegba” and “Salida Con Elegba” which open and close the program. CEREMONY is a finely tuned palette of beautiful sounds emblazoned with Sosa’s Afro-Cuban percussive traditions and his own luminous improvisations. The Cuban son, danzon and cha-cha-cha are artfully interpreted in such songs as “Danzón De Tus Ojos” and “Cha Con Mirimba” while “Yemaya En Agua Larga” honors the great mother and goddess of the sea, the moon, creation, and female mystery as deified by Sosa’s spiritual Yoruba Gods.”Changó En Esmeraldas” is an extended tribute to the deity of thunder and lightning, fire and moral retribution and a reflection upon Sosa’s musical sojourn in the Afro-Ecuadorian community of Esmeraldas. The accomplished soloists of the NDR bring their talents to Sosa’s great compositions with beauty and skill while Omar Sosa makes it clear that he is a master clearly in charge of his own musical fate – be it with a big band, quartet or as a soloist. Sosa is an extraordinary talent and one of the most important artists actively on the music scene. CEREMONY is an amazing recording and one that should be in your collection. Highly recommended.
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IN HI FI STEREO Mindi Abair
On IN HI FI STEREO, saxophonist Mindi Abair revisits the sounds of the Sixties and early Seventies and comes up with her own brand of raw, edgy funk and soul. Eleven new tracks capture the infectious grooves of the "golden age of R&B, soul and funk" that Abair has recast for a modern audience. Co-produced by Abair and Rex Rideout, IN HI FI STEREO boasts a legion of great musicians who represent both old school as well as today's hot properties. Guests include James Gadson on drums, Reggie McBride on bass, Lalah Hathaway, Ryan Collins and David Ryan Harris.
The set opens with "Any Way You Wanna," a funky hit right off the bat. With Rideout and Stephen Theard on keyboards and Randy Jacobs on guitar, Mindi Abair has just who she needs to keep her saxophone riffs spontaneous and creative. "All Star," really takes you back to the Motown sound as Mindi gets this party-all-night-long groove happening in a very special way. This song will have you out of your seat and on the dance floor before you know it. You know that groove won't let you sit still! Later in the set, Lalah Hathaway and Mindy take on James Brown's hit "It's A Man's World." You forget about the lyrics as their dual talents bring this R&B standard to a new generation with a whole new attitude. "Take Me Home," and "The Alley" clost out the set with the latter being an instrumental ballad that represents the combined songwriting efforts of Abair's touring band. Named for the rehearsal studio in Los Angeles, it becomes another muse for Abair's creative process and spotlights the band's stellar interplay.
Check out IN HI FI STEREO, listen to it and then buy it from the SOTJ store. It's definitely one of Mindi Abair's hottest recordings.
David Benoit's Earthglow
Since launching his recording career in 1977, David Benoit’s expansive career as a contemporary jazz pianist has included over 25 solo recordings. His ‘80s releases THIS SIDE UP, FREEDOM AT MIDNIGHT and the GRAMMY nominated EVERY STEP OF THE WAY are considered influential genre classics. Among his other Grammy nominations are those for Best Instrumental Composition (for “Dad’s Room,” from 1999’s PROFESSIONAL DREAMER) and Best Large Jazz Ensemble Performance (for the GRP All-Star Big Band). His prolific output since 2000 includes several prominent Charlie Brown related projects (including HERE'S TO YOU CHARLIE BROWN: 50 GREAT YEARS and the star-studded 40 YEARS: A CHARLIE BROWN CHRISTMAS) that reflect his lifelong passion for the music of original Peanuts composer Vince Guaraldi and solidify Benoit’s role as his musical heir. Benoit has also released the Billboard Contemporary Jazz charting albums FUZZY LOGIC, RIGHT HERE, RIGHT NOW, FULL CIRCLE and HEROES, which paid homage to the pianist’s top jazz and pop influences. Benoit’s ever expanding slate of orchestral music endeavors include his ongoing role as conductor of the Asia America Symphony Orchestra and leading such eminent orchestras as the Los Angeles Philharmonic and the symphonies of London, Nuremberg, San Francisco, Atlanta, San Antonio and San Jose.Concurrent with his burgeoning career as a conductor, he recorded 1996’s AMERICAN LANDSCAPE with The London Symphony Orchestra and 2005’s ORCHESTRAL STORIES with members of the Asia America Symphony Orchestra and the Czech National Symphony Orchestra. ORCHESTRAL STORIES featured his first piano concerto “The Centaur and the Sphinx” and his acclaimed symphonic piece “Kobe,” both of which he has performed in live settings across the country. In 2009, Benoit performed and conducted Leonard Bernstein’s WEST SIDE STORY with the Asia America Symphony Orchestra in a show that included Broadway great Lea Salonga; he later conducted Beethoven’s Ninth Symphony with the same orchestra in his critically acclaimed debut at Los Angeles’ Disney Hall. Benoit’s notable film scores include The Stars Fell on Henrietta, produced by Clint Eastwood and starring Robert Duvall; and The Christmas Tree, produced by Sally Field, voted Best Score of 1996 by Film Score Magazine. Benoit has also been a longtime guest educator with the Mr. Holland’s Opus Foundation, winning the organization’s “excellence in music education” award in 2001.
Through 2010, Benoit will head on the road to perform his latest inspiration from the April 2010 release, EARTHGLOW.And on October 29, 2010, the Pianist will be honored with the Lifetime Achievement Award at The American Smooth Jazz Awards in Michigan City, Indiana.
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DECISIVE STEPS Tia Fuller
Multi-instrumentalist Tia Fuller takes several DECISIVE STEPS on her second offering for Mack Avenue Records. From the start, the compositions included on the recording offer Fuller more than enough room to stretch out on alto and soprano saxes as well as on the flute with her special guests/ label mates bassist Christian McBride and trumpeter Sean Jones. Vibraphonist Warren Wolf also shares in the bliss and contributes his dynamic musicality on “Shades of McBride,” and “Clear Mind.” In addition to these world-class artists, Fuller shares the spotlight with drummer Kim Thompson and bassist Miriam Sullivan, as well as with her sister Shamie Royston who plays piano and Fender. Fuller’s chops are no joke. Her emotionally charged riffs fill the room on the title track and it’s apparent that these “Decisive Steps” havetaken her to new heights in the jazz community and will move her forward in the pantheon of serious female woodwind players. With serious being the key word here, Tia Fuller plays an inspired set that traces a lineage through blues, gospel and soul. Her efforts co-exist with daring riffs from Sean Jones’ trumpet and McBride’s walking bass lines – revealing a hot-blooded extroverted brand of playing that is sure to dazzle you. Overall, Tia Fuller’s performances have the advantage and with DECISIVE STEPS, her style of playing may become a decisive influence and a source of inspiration for today’s and future woodwind players. Top pick: “Shades of McBride” which features her cool chops on both soprano and alto and a very cool solo from McBride! Check her out and then buy DECISIVE STEPS.
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Destinations
Tamir Hendelman
Tamir Hendelman crafts songs that sound like no other and fills his debut release for Resonance Records with precisely rendered compositions. The pianist is joined by drummer Lewis Nash and bassist Marco Panascia and together they artfully combine jazz, Latin and classical sonorities with skill and style. 20th century composers such as Ravel, Jobim, Charlie Parker and Fletcher Henderson have a new 21st century advocate and several of their compositions - Ravel’s “Le Tombeau de Couperin,” Parker’s “Anthropology,” Jobim’s“Passarim” and Henderson’s “Soft Wind”- get modern updates that brim with creative combustion and deft trio interplay. From two-handed polytonal-peppered bebop lines to deep-pocketed swing, Handelman works his rhythmic and re-harmonized pianism with great jazz textures and classical hues. Tamir Hendelman also contributes two great originals – “Israeli Waltz,” and “Babushka” – both of which are very personal reflections on places and people Hendelman has an affinity for. “Israeli Waltz” explores the nuances of triple meter while “Babushka” was written for Hendelman’s grandmother after coming across Russian nest dolls that reminded him of her. Songs by several major pianists including Keith Jarrett, Makoto Ozone, and Fred Hersch are fresh vehicles for Hendelman’s exemplary skills and will certainly entertain you from beginning to end. Buy DESTINATIONS from the SOTJ store today.
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PUCUSANA
Gabriel Alegria & The Afro-Peruvian Sextet
PUCUSANA fuses the music of Peru with modern jazz on 9 great songs. Led by Peruvian trumpeter, composer and bandleader Gabriel Alegria, the ensemble reinterprets a pair of traditional Afro-Peruvian folk songs laden with jazz elements, several Alegria originals and a stylish rendition of the Rogers & Hammerstein’s classic “My Favorite Things.” Opening with “Taita Guaranguito,” a landó with a slower groove, the program involves the listener in a traditional peña-like gathering that one would experience at a jarana (a musical party). The Afro-Peruvian Sextet has the beat bumping and Alegria’s trumpeting is cooking on an awesome high on “Pucusana” a festejo with a slightly faster tempo than that of the landós heard on the opening track and “Toro Mata.” The title track is simply amazing and will have you so involved that you’ll press repeat several times!“Piso 19” is also anchored in the festejo groove and at one section breaks into a double time swing and features great straight ahead blowing by Alegria and saxophonist Laura Andrea Leguia. The alternating rhythms keep this song interesting and intellectual. Echoes of Miles Davis can be heard throughout this great recording but especially on “Mono de Nazca” an original piece that features Alegria playing with a Harmon mute over a traditional festejo rhythm. Great percussion work by Freddy “Huevito” Lobatón keeps the grooves percolating with special props to pioneering drummer Hugo Alcazar. Special guests Russell Ferrante (keyboards) and Arturo O’Farril (piano) make special guest appearances and contribute their brand of musicality to this great effort. Overall, PUCUSANA is one great recording and deserves your special attention. Check them out and then add PUCUSANA to your jazz collection. Buy PUCUSANA today.
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SPIRAL Dr. Lonnie Smith
The premier, multiple award-winning jazz organist and ever funky Dr. Lonnie Smith will have you groovin’ high on his latest release by Palmetto titled SPIRAL. Joined by Jonathan Kreisberg on guitar and Jamire Williams on drums, this great CD features several songs from the Great American Songbook – Dr. Lonnie Smith style! The recording is truly soulful, filled with energy and emotion. When you hear the trio’s rendition of Jimmy Smith’s “Mellow Mood,” that is definitely where you’ll find yourself..in a mellow mood. I don’t think the Doc is related by blood to the great organist Jimmy Smith, but he sure is related by jazz! He is burning up that Hammond organ throughout this program but Slide Hampton’s slow, grooving ballad “Frame For the Blues,” and the pumped up version of “Beehive” by Harold Mabern are sure to please and their fans will certainly give thanks for the brilliant resuscitations they get here. “Spiral” features an intro by Kreisberg and Williams before Smith joins in with his desirable tone colors. This is Smith’s original and gives even greater credence to his abilities as a songwriter since it features excellent sections for his trio to solo and bring their insightful musical visions to this great song. Three more covers “Sweet & Lovely,” “I’ve Never Been In Love Before,” and I’ Didn’t Know What Time It Was” complete the selections from the GAS. However, one of the most memorable songs on the recording is Smith’s emotional performance of “Sukiyaki.” Overall, SPIRAL is a masterful recording by one of the Hammond B3 organ’s most authentic masters. Buy SPIRAL today. You’ll thank me!
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A TIME FOR LOVE
Arturo Sandoval
A TIME FOR LOVE is certainly one of the more beautiful recordings released by Arturo Sandoval. The world-renowned GRAMMY winning trumpeter who is best known for his swinging Afro-Cuban jazz (CUBOP) and high registers brings out his romantic side via lovely ballads from the Great American Songbook and classical composers Ravel, Feure and Piazolla. Sandoval shares the spotlight with such great musicians as vocalist Monica Mancini, trumpeter Chris Botti, The Shelly Berg Trio and the great pianist Kenny Baron – all accompanied by an orchestra.All of the compositions are exquisite however, Ravel’s “Pavane For A Dead Princess,” his collaboration with trumpeter Chris Botti, is particularly beautiful and well-stylized. Monica Mancini also brings her inspired tranquility and finesse to the project not to mention her memorable vocals on “Oblivion,” Astor Piazolla’s masterful work. Sandoval is proficient and commanding throughout this project but when he sings “Estate” in Portuguese, and “Smile” in English, the versatility, passion and sincerity heard in his singing voiceis also rendered in histrumpeting voice. “I Love You Porgy,” receives a successful update and this special rendition should persuade novices to strive for the same great sonority that Sandoval relays in this song. This melding of classical repertoire with jazz standards from the Great American Songbook is sure to please both classical and jazz aficionados. Kenny Baron’s pianism is not only delicate and dramatic when necessary, his underscoring of Sandoval’s trumpeting is exclusively Baron. He is The Baron. The pleasures of harmony, melody and lush orchestration all come together beautifully in A TIME FOR LOVE making it timeless and one of the best ballad recordings by a trumpeter since Roy Hargrove’s MOMENT TO MOMENT.
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INNER DANCE
Fabrizio Sotti
Guitarist/composer Fabrizio Sotti is joined by Claudia Acuna, Gregoire Maret and Sam Barsh on his debut recording for E1 label titled INNER DANCE. The 9-track program is a versatile homage to the sounds of Wes Montgomery and Jimmy Smith. The program features the classic sound of Barsh’s Hammond B-3 organ and Sotti’s guitar on the seductive “Kindness In Your Eyes,” the percussively swinging “I Thought So,” and the high energy of “Last Chance.” Claudia Acuna’s rich vocals are soulfully intertwined on a sweet ballad called “Amancer” while “Brief Talk” is a heartfelt tribute to Michael Brecker. Sotti has a lot to offer on this debut and this fascinating and creatively fulfilling record should be in your collection. Buy it today. Simply click on the CD cover.
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PASTORALE Stephano Battaglia Michele Rabbia
Stephano Battaglia is an expert improviser, using many strategies and finding ideas within ideas. As he alters and changes notes here with his fellow improviser and master percussionist Michele Rabbia, Battaglia’s pianism not only compliments and enhances their performances, but assumes a percussionist’s role that is not congruent with mainstream tonal perceptions. The duo explores the depth of choreographer Pina Bausch on “Tanztheater” which is a suite of dances improvised in her memory. This gigue in 3/8 time is also a gavotte and includes a long hypnotic section of ‘primitive’ groove. “Cantar del Alma” and “Sundance In Balkh” both incorporate material derived from folk songs emanating from the Mediterranean and Arab-Andalusian regions. Overall, on PASTORALE, Battaglia and Rabbia offer personal, progressive interpretationS that are equally important as their previous collaborations on RE: PASOLINI and the amount of music they’ve shared with their fans since the early 1990s. To purchase PASTORALE and other great works by Stephano Battaglia and Michele Rabbia, please click on the CD cover image.
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SO STRONG
Jonathan Butler
Jonathan Butler knows a thing or two about playing the guitar…and we’re not talking about air guitar! On SO STRONG, his 15th solo recording, Butler comes through with 12 great songs that speak fun, flavor and feeling. The songs reflect Butler’s romantic side, his passionate side and his fun side and once you listen to“Factual,”“Feels So Good,” and “Good Times,” you’ll hear for yourself that Butler is exactly what this CD is about – being strong. He makes that special light turn on for you when you hear “So Strong,” his heartfelt rendering of the pain, sorrow and personal loss that he has endured recently. Joined by special guests Rick Braun, Dave Koz, Michael Lington, and Angie Stone, such songs as “Feels So Good,” “Make Room For Me,” and “Be Here With You,” wipe away the darker side of life and uplift you with a get-up-and-dance feel good rhythms. Butler’s guitar chops are all good and this is definitely one of his best recordings to date. Check it out then buy it from the SOTJ store.
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OUT OF THE BLUE Christian Howes
Violinist Christian Howes joins with guitarist Robben Ford on his sophomore release for Resonance Records titled OUT OF THE BLUE. The recording is a complete contrast to Howes’ 2008 all ballad project titled HEARTFELT in that it features an all blues program that is as varied as the mother of jazz has become throughout the years. Opening with Chick Corea’s swinging post bop “Fingerprints” (his answer to Wayne Shorter’s “Footprints”) Howe jams away over pianist Tamir Hendelman thoughtful comps. Hendelman delivers a solid gold solo that would earn well-deserved approval from the great one himself. Hendelman also arranged this timeless song which also proves there is no generational gap in his formidable songwriting skills. Howe is simply awesome on violin and it’s widely known that his artistic integrity deserves more recognition. Horace Silver’s “Cape Verdean Blues” is also performed with Hendelman on piano and features a great guitar solo by Robben Ford.This set is soulful, funky and also features Bobby Floyd on piano, and Hammond organ on several of Howe’s original compositions. Most notable is his playing on “Gumbo Klomp” a second line-fueled romp and the title track, “Out of the Blue” which samples Rufus & Chaka Khan hit “Tell Me Something Good.” Robben Ford is a definite authority on blues guitar and makes this set happen with his awe-inspired licks. OUT OF THE BLUE is an admirable follow-up for Christian Howes and is the kind of recording that you’ll enjoy playing more than once. Check it out and then buy OUT OF THE BLUE from the SOTJ store.
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ALL IT TAKES Rick Braun
Rick Braun's latest CD is an inspired masterwork of contemporary jazz that celebrates the unique relationships he has with band members, his wonderful wife, and collaborators Philippe Saisse, Jeff Lorber and Marc Antoine. On ALL IT TAKES, the award-winning trumpeter uses the power of his instruments to transform and take your aural pleasures to another level. This recording has the quality and standards of Braun’s previous award-winning CDs and it keeps the musical possibilities happening and versatile. Braun worked with co-producer/co-songwriter Phillipe Saisse on the bulk of the songs including the title track and the sexy, cool, opening tune titled “Tijuana Dance?” “Puerto Allegre Jam” is the kind of descarga that will have you on the dancefloor, but if you''ve lost your groove, then this song will definitely help you get it back! Marc Antoine guests on guitar and the vocals of Vanessa Falabella add the spice of life to this great song. Saisse’s keyboard solo provides just the right cue for Braun to keep this jam going. You're sure to love this song. Rick Braun changes the tempo and expresses his love in radiant, bold and warm tones and textures and then delivers it all to his lovely wife on the ode “Christiane.” Co-produced by Jeff Lorber thisadept song also features Lorber’s brilliant keyboard playing. “All It Takes” is a beautiful ballad that finds Braun in a pensive mood on muted trumpet delivering lovely phrases and making very profound musical statements. This song is the embodiment of elegance. Ending the set, Braun is cooler than cool on the flugelhorn as he give major props to Freddie Hubbard on his ode titled “Freddie Was Here.” This song has style, grace and is smooth-as-silk and also reflects the excellence in Braun’s songwriting skills. Rick Braun has ALL IT TAKES to make you want to keep listening to 10 great songs that are the perfect vehicles for his great trumpet and flugelhorn chops. Click on the image to purchase ALL IT TAKES.
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INCORRIGIBLE
One For All
It’s hard to imagine that One For All has been together for the past 13 years but it’s not hard to imagine the great music emanating on INCORRIGIBLE, their latest offering for Jazz Legacy Productions. Seven of the eight songs here were written by members of the group which includes Jim Rotondi on trumpet and flugelhorn, Eric Alexander on tenor saxophone, Steve Davis on trombone, David Hazeltine on piano, John Webber on bass and Joe Farnsworth on drums.The set opens with “Bewitched, Bothered and Bewildered” the Great American Songbook standard which is played here with imaginative new improvisations and buoyancy. “Voice” is a stellar ballad and tribute to trumpeter Freddie Hubbard that Rotondi offers from the heart. Its mellowness gives listeners a new vantage point from which to listen and reminisce about Hubbard’s versatility and ability to keep things interesting. There are six more great songs that will intrigue, entertain and keep you aware of the awesome interplay this ensemble exhibits throughout this wonderful program. Check it out.
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THE PURSUIT
Jamie Cullum
It’s hard to imagine that it’s been 10 years since Jamie Cullum released his first self-funded release called HEARD IT ALL BEFORE! In between touring on behalf of his stellar chart-topping hits TWENTYSOMETHING and CATCHING TALES, Cullum stayed busy and even garnered a Golden Globe nomination for his work with Clint Eastwood for the title song to the film GRAN TORINO. Now without the seemingly fleeting respect that many artists receive after taking time off, Cullum is even more admired as a songwriter and performer and his latest release, THE PURSUIT, proves he’s no fluke.l visions. Cullum’s vocals are strong, engaging enjoyable and brilliantly complimented by members of the Count Basie Orchestra on “Just One of Those Things,” members of Beck’s band, and other highly respected musicians. The stories he tells in his music, i.e., “If I Ruled The World,” “I Think, I Love,” “Not While I’m Around,” are comforting, sensitive and should prompt you to give a second and third listen to his admirable musical growth and musicality. A more in-depth realization of Cullum’s signature chops as a singer/songwriter/pianist are yours for the taking on THE PURSUIT. Buy it today by clicking on the image of the CD cover.
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RUMORS
Frank Kimbrough
The old saying, “In the right place, at the right time,” came true for Frank Kimbrough recently when the photographer Jimmy Katz (who now produces and records artists) called him to say he had some studio time available at Avatar Studios in New York City! Needless to say, Kimbrough, the renowned composer/pianist/arranger didn’t need to hesitate and made the gig happen with Masa Kamaguchi on bass and Jeff Hirshfield on drums. The result is the outstanding new release on Palmetto Records titled RUMORS. The trio plays seven Kimbrough originals as well as the composition “Six” which was composed by Federico Mompou, but adapted and arranged by Frank Kimbrough. The song is impeccable, with Kimbrough’s delicate pianism at the center of this beautiful song. By contrast, “TMI” is somewhat atonal in passages, has odd time signatures and curious designs. The title track, “Rumors” is a ballad that finds the listener concentrating on Kimbrough’s insightful ideas as well as the thoughtful underscoring by Kamaguchi’s bass lines. Altogether, this is the work of several masters who know their craft well and have no difficulty playing on a moment’s notice. RUMORS is right up there with AIR, another of Kimbrough’s great works and both CDs should be in your music library. Buy RUMORS from the SOTJ store today.
BURNIN’
Paul Taylor
As one of the hottest saxophonists on the contemporary jazz scene, Paul Taylor has had an indelible presence on the jazz charts that is sure to follow with the release of BURNIN’. Teaming up with his hit-making producing team of Barry Eastmond and Rex Rideout, this scorching set is just in time for some great summer fun. There’s something for everyone. It’s sexy, soulful, happy and even hasa true blue jam session! This time around, Taylor, Eastmond, Rideout opted for a tenor saxophone sound on nine of the ten great compositions heard here.But don’t pine over not hearing Paul’s trademark soprano and alto sax sound because his tenor madness isjust as strong, sensuous and sexy as any of the songs he plays on the soprano and alto. One listen to “Remember The Love” will make you an instant fan of his tenor sound and keep your love jones satisfied. The good feelings continue on “Burnin’” as Taylor lays out his recipe for some soulful earfood. He’s burnin’ up! “Side Pocket” is just as funky as the ensemble lets loose with the funky bass riffs and Taylor’s grooving harmonies.This is such a refreshing change for Paul Taylor and his new sound on the tenor saxophone is sure to remind his fans- both new and devoted – of his versatility and smooth genius.Paul Taylor knows what a great groove sounds like and this time…well you be the judge. Best songs: “Burnin’” “Remember The Love,” “Juke Joint,”“So Fine.” Buy BURNIN' today. Just click on the CD cover.
THE REAL THING Vanessa Williams
Vanessa Williams’ musical career has been and continues to be a winning combination of great collaborations and chart-topping hits. With Sixteen Grammy Award nominations, millions of records sold, and hundreds of valuable entertainment industry awards, Williams’ trophy room surely commands its own corner office. Her latest endeavor, THE REAL THING, holds the top spot on Billboard’s Contemporary Jazz Chart and features great songs produced by some of the top names on the music scene today including Kenny “Babyface” Edmonds, Keith Thomas, Rex Rideout and Rob Mathes. The recording is a "a potpourri of breezy Latin rhythms, sultry jazz standards and dreamy pop sketches," and delves into the sophisticated contemporary jazz, pop and R&B that have been the hallmark of her dynamic musical career. One of the coolest things about Vanessa Williams’ latest release is the fact that she sings songs that mean something to her and doesn’t waste a minute conveying the emotions inherent in the songs. These songs show who she is…a consummate professional with the ability to tell her audiences a great story. “Breathless” a gorgeous ballad, opens the recording and Williams’ take will leave you so captivated that you can’t help but keep listening. The next track, “Hello Like Before” Williams’ gift for heartfelt poignancy takes center stage again. She immediately resonates with audiences again on “I Fell In.” This song is absolutely beautiful. Vanessa Williams reaches deep into the idea of love at first sight and chooses just the right nuances, harmony and rhythmic pacing to involve her listeners in this romantic tale. Overall, this is one of Vanessa Williams’ best. Five stars. Buy THE REAL THING now. Simply click on the CD cover.
QUARTET LIVE! Gary Burton, Steve Swallow, Pat Metheny, Antonio Sanchez
Gary Burton, Steve Swallow, Pat Metheny and Antonio Sanchez are the great musicians behind QUARTET LIVE! Recorded “live” at Yoshi’s in Oakland, California in June 2007, the collective revisits songs played by the Gary Burton Quartets which had its origin in the late Sixties. They perform a passionate set of songs composed by Chick Corea, Carla Bley, Steve Swallow, Keith Jarrett, Gary Burton and Pat Metheny; all musicians who composed for several incarnations of Burton’s quartets. These songs are as beautiful as they are enduring especially “Sea Journey” and “Olhos de Gato” written by Corea and Bley respectively. Burton’s “Walter L” is included here as a tribute to Hank Garland who gave Burton his start. Pat Metheny’s most recognized songs “Missouri Uncompromised” and “Question and Answer” are also included on this exceptional recording. Swallow’s “Hullo Bolinas, a jazz waltz and his first composition for Burton “Falling Grace” make this one a real keeper. QUARTET LIVE! Is definitely a must have for any Gary Burton fan and provides a great way to tune in three more very talented and exceptional musicians who contributed to the making of the recording. Check it out now!
SIX STRING EVOLUTION
Andreas Öberg
SIX STRING EVOLUTION is Andreas Öberg’s second recording for Resonance Records and with it, he achieves an amazing display of jazz guitar virtuosity that is fueled by his world-renowned quartet. Joined by John Patitucci on bass, Lewis Nash on drums, Dave Kikoski on piano, Rhodes, and Darmon Meader on saxophonesand vocals, Öberg plays an eclectic mix of pop songs, Brazilian jazz, one of his original songs and a jazz standard often associated with Billie Holiday. Several songs have been re-arranged by the great Bill Cunliffe and pianist John Beasley with Beasley also offering a great synth vibes solo on “Maniac.” The program opens with “Papa Gato” a salsa penned by Poncho Sanchez that features the strong tenor saxophonics of Darmon Meader and scat singing by Öberg. The versatile guitarist continues with a desirable rendition of the standard often associated with Billie Holiday called “We’ll Be Together Again.” This heart-wrenching ballad is not only soothing and romantic but artfully displays both Öberg’s and Patitucci’s lush chordal voicings. The entire recording has songs that are fresh and exciting and which fit Öberg’s versatility and stylistic preferences. Check him out and then buy SIX STRING EVOLUTION from the SOTJ store.
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DEDICATED TO YOU: KURT ELLING SINGS THE MUSIC OF COLTRANE and HARTMAN
Kurt Elling
Recorded LIVE in Manhattan as part of Lincoln Center’s American Songbook series, Grammy Award nominee and critically acclaimed vocalist Kurt Elling offers his fans a stunning interpretation of the music of John Coltrane and Johnny Hartman. DEDICATED TO YOU: KURT ELLING SINGS THE MUSIC OFCOLTRANE AND HARTMAN is an awesome re-birth of the 1963 album titled John Coltrane and JohnnyHartman. Elling is accompanied by saxophonist Ernie Watts, the Laurence Hobgood Trio and the genre-bending Ethel Sting Quartet. Avid fans and a new generation of listeners will hear 12-great tracks featuring Elling’s amazing vocals intertwining with newly arranged works brilliantly interpreted by his collaborators. As a balladeer, Elling is highly acclaimed for his special way with lyrics, phrasings and ability to remain true to the essence of past interpretations. He doesn’t disappoint here and delivers one of today’s most important jazz works. Just one listen to his renditions of “All or Nothing At All” and “Say It (Over and Over Again)” defies any identity politics and wipes the slate clean of any note-for-note comparisons to the original Coltrane/Hartman project. But merely hearing this CD isn’t enough to grasp the complex beauty and romantic nature of this recording. The genius of Elling and his collaborators will make you FEEL IT. Ernie Watts’ solo on the opener is but one indication of what you, dear listener, are in for. “What’s New,” “My One and Only Love,” are so compelling and poetic that they leave you completely transformed in the way you listen to these great songs. Throughout the entire CD, Elling captivates and holds you spellbound with his stunning delivery and emphasis on quality. These sounds of timeless jazz are definitely something you’re unlikely to hear anywhere else in this. It’s altogether sensitive, sympathetic and symbiotic. Highly recommended and a MUST HAVE. Buy it today. Click on the CD cover to purchase.
MORE TO SAY... (REAL LIFE STORY: NEXT GEN)
Teri Lyne Carrington
Grammy nominee Terri Lyne Carrington has more to say and she says it well on her follow up to Real Life Story. On MORE TO SAY...(REAL LIFE STORY: NEXTGEN), Carrington employs an all-star roster of contemporary jazz musicians including George Duke, Kirk Whalum, Everette Harp, Patrice Rushen, Jimmy Haslip, Gregoire Maret, Christian McBride, Danilo Perez, Dwight Sills, Chuck Loeb, Walter Beasley, Anthony Wilson and Robert Irving III to help her do what she does best. Need we say more? Check out this exceptional R&B infused, jazz influenced CD that also features jazz greats Nancy Wilson and Les McCann on "Dream Come True," and "Hold Me Again, respectively. Buy MORE TO SAY now. Just click on the CD cover.
Songs of Love and Destruction
Elisabeth Lohninger
This recording by vocalist Elisabeth Lohninger offers a fresh outlook on both jazz and pop songs as well as serving as the introduction for two new originals Lohninger penned for the album. On the love songs, her voice is supple, beautiful and gently pulls you into her perspectives on love with loving melodies, harmonies and musical arrangements. “Save Me” is one of those songs on which Lohninger brings her emotional depth to the surface while remaining in absolute tandem with Ingrid Jensen’s amazing trumpet solo and Christian Howes’ violin compliments. This song is absolutely beautiful. Singing in Spanish on “Si Me Quieres,” the lovely Austrian once again justifies the expression that music is a universal language. These songs not only interpret how we love, lose love, are obsessive in love or foolish in love, but offer new understated artistry and metaphors that bring your personal familiarity with these emotions to the forefront. Bruce Barth brings his great jazz piano artistry on an exciting solo just before Elisabeth scats in a different octave to take this song to another level of creativity. Accompanied by such great musicians as pianist Bruce Barth (she also duets with him on “With Every Breath I Take”), bassist Evan Gregor who holds down the rhythm logic with style and precision, drummer Jordan Perlson, trumpeter Ingrid Jensen, tenor saxophonist Donny McCaslin (who blows a truly great solo on “Here There and Everywhere”) and violinist Christian Howes who also arranges, SONGS OF LOVE AND DESTRUCTION offers a versatile, beautiful and personal, interpretation of revered songs that you’ll enjoy listening to time and time again. Check her out. Click here to buy SONGS OF LOVE AND DESTRUCTION.
SECRETS Marion Meadows
Marion Meadows’ fans will be ultra-delighted with his latest release for Heads Up International, titled SECRETS. The sexy multi-instrumentalist/composer/producer teams up with songwriter Michael Broening to deliver several great hits including the radio hit “Let The Top Down.” Every great song has a “secret” deep within that the composer intends to convey to its listeners. Some say this is the backbone of every great lyric, harmony, melody or rhythm, that thing that latches on to a listener and won’t let go; that thing that keeps you humming long after the song is over. This adage is true for the title track, a mid-tempo gem that speaks to you just under the surface. Meadows’ soprano sax is in a mellow tone and filled with mysterious lingering sounds that stir the soul. “Let The Top Down” is another great song. Here Jesse McGuire provides a layer of counterpoint to Meadows’ saxophone and makes this one a real keeper as evidenced by the radio success it currently is experiencing. “Friends,” by Bobby McFerrin and “Here To Stay” by Pat Metheny both feature Brian Chartrand’s lead vocals which add a special dynamic to the recording. Overall, this is a soulful CD and one that meets the previous standards set by Marion Meadows’ chart-toppers DRESSED TO CHILL and PLAYER’S CLUB.
